.SeriesReleaseSeptember 14, 2010Mode(s),Halo: Reach is a 2010 developed by and published by, originally for the. The fifth installment in the series and a direct prequel to, Reach was released worldwide in September 2010. The game takes place in the year 2552, where humanity is locked in a war with the alien. Players control Noble Six, a member of an elite squad, when the human world known as Reach falls under Covenant attack.After releasing in 2007, Bungie split into teams to develop two different games—what would become and Reach. The developers decided to create a prequel to the original Halo game trilogy, freeing themselves from the obligation of addressing old story threads. As the game would take place on a human world doomed to be destroyed, they focused on making the environment a character unto itself.
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Longtime Halo composers and returned to compose Reach 's music, aiming for a more somber sound to match the story.Reach was announced at the in, and the first in- trailer was shown at the 2009. Players who purchased ODST were eligible to participate in a Reach multiplayer in May 2010; the beta allowed Bungie to gain player feedback for fixing and making gameplay tweaks before shipping the final version. Gave Reach its biggest game marketing budget yet and created award-winning live-action commercials, action figures, and interactive media to promote the game.The game grossed 200 million on its launch day, setting a new record for the franchise. Reach sold well in most territories, moving more than three million units its first month in North America. Critical reception was positive; reviewers from publications such as, and called it the best Halo title yet. Critics generally praised the game's graphics and sound, but the plot and characters were less positively received. Reach was Bungie's final Halo game; subsequent games have been overseen by Microsoft subsidiary.
The game was released for and as part of the in December 2019. The player character fires an assault rifle at enemy forces, flanked by members of Noble Team.Halo: Reach is a in which players predominantly experience gameplay from a first-person perspective; the game perspective switches to third-person when using certain weapons, equipments, vehicles and when a player dies.:2–5 Gameplay is more similar to than later games in the series. The player's displays and tracks a player's current weapons, abilities, and health; it also contains a compass and a 'motion tracker' that registers moving allies, enemies, and vehicles in a certain radius of the player. The HUD changes when the player pilots aircraft and spacecraft.: 2–5In the game's campaign, which can be played alone or cooperatively, players assume the role of Noble Six, a engaged in combat with an alien collective known as the.
The Warring Colonies expansion provides game materials that can be combined with a. Various game effects. A halo of fire against the linen sheets. Oct 30, 2019 UNSC outer colonies. 2542: Michael was in hell. United we Stand: (Halo/Mass Effect crossover). Yes but you do need to remember that the Turians were willing to go into total war with a brand new species that simply defended themselves because the Turians besieged one of their colony worlds. The only reason they didn't is because the.
The Covenant come in eight distinct varieties with different ranks and classes for each type; for example, Elites are the leaders of a group, while Grunts are less intelligent and only dangerous in large groups.: 11 The player is equipped with a recharging energy shield that absorbs damage from weapons, fire and impacts. When the energy shield is depleted, the player loses health.
When the player's health reaches zero, the character dies and the game reloads from a saved checkpoint. Health is replenished using scattered throughout Reach 's levels. The campaign's encounters with enemies are typically large, open spaces with weapons caches, cover from enemy fire and strategic vantage points. New to the Halo series are sequences set in space.Reach features updated versions of old weapons, plus new weapons fulfilling various combat roles. In Halo 3, players can carry single-use equipment that offer temporary offensive or defensive advantages. This system of single-use equipment is replaced in Reach by reusable and persistent armor abilities that remain with a character until they are replaced by a different equipment.
Reach 's announcement Announcements and teasers Halo: Reach was announced on June 1, 2009, accompanied by a trailer at the Microsoft (E3) press conference. A press release announced that an invitation to the open multiplayer of the game would appear in 2010. Reach is Bungie's last game development for the Halo series. Responsibility for developing future Halo games fell to Microsoft subsidiary 343 Industries.A trailer released March 3, 2010, showcased the game's multiplayer.
Bungie revealed parts of the game's campaign and Firefight at E3 2010. The game reached the 'zero bug release' milestone on June 23, signifying a shift from content creation to troubleshooting; buggy artificial intelligence or other elements would be removed rather than fixed at this point because of time constraints. Bungie released the complete list of achievements for the game on July 30, including their titles, symbols, and requirements, and completed Reach between the end of July and beginning of August 2010. Design After, development studio Bungie created an internal team to work on 's planned Halo game,. Chronicles was eventually canceled and the team began working on a standalone expansion project— Halo 3: ODST—while another team, led by creative director Marcus Lehto and design lead, worked on Reach.
The team considered many different concepts and approaches to the game; among the rejected ideas was a sequel to Halo 3. The team eventually settled on a prequel to the first Halo game in brainstorming sessions. It would take place on the planet Reach, during a pivotal time in the war. 'Reach, as a fictional planet, was just a great candidate to play around with. It's such a rich world, with such a great fiction surrounding it,' said Lehto.
'We were like: 'Okay, that's it. We've just got a lot of things we can do there so we can build an immense story with it.' ' No longer burdened with continuing the story threads of the Halo trilogy, Bungie used Reach to introduce new characters and settings.
As Reach ends with the destruction of the titular planet, Bungie wanted to be sure players still felt a sense of accomplishment and success. 'It is a challenge overall to ensure the player feels they're doing the right thing all the way to the end,' said Lehto.Lehto recalled that making a character-driven story was a great challenge—players would come to know more about them as they progressed through the campaign, but the Spartan characters also had to behave intelligently. The Halo games consistently featured protagonists that were silent during gameplay sequences. Community manager Brian Jarrard pushed for allowing players to choose a female Noble Six and have the cinematics and dialogue change accordingly. The post-credit game sequence was the subject of intense discussion; some at Bungie wanted to remove it. Executive producer Joe Tung noted, 'the 'survive' component. Felt great to us.
We definitely talked about different versions of how that was happening and different versions of ending the game cinematically, but I think the way that it ultimately ended up is just a really well-paced, significant and emotionally impactful ending.' The developers originally intended to existing Halo 3 assets to Reach and update them. For Halo 3, Bungie had been forced to shrink parts of the game to fit the game engine's constraints, but wanted to make Reach look better than its predecessors. 'The more we started looking into this, the more we found that realistically we could rebuild each asset from scratch with a huge increase in quality without significantly investing more time,' said Bungie 3D artist Scott Shepherd. Texture resolution and polygon counts for models increased; the Reach assault rifle is constructed of more polygons than an entire Marine character from Halo 3.
The prequel concept also gave the art team an opportunity to redesign key enemies, weapons, and elements of the series. Artists found inspiration in the original concept art for Halo: Combat Evolved; the shape for the redesigned Covenant Grunts came from a sketch that Shi Kai Wang created ten years earlier.The developers redesigned the, the software that handles rendering and much of gameplay. Bungie hired an expert in to develop more realistic character animations.
Building a motion capture studio in-house saved Bungie time as motion capture data could be applied to the game models the same day it was shot. The developers sought to increase replay value by focusing on improving artificial intelligence. Rather than scripting enemy encounters, they focused on a more or sandbox approach to battles. Audio scored Reach with additional music. O'Donnell wrote 'somber, more visceral' music since the plot is character-driven and focuses on a planet that is already known—in the Halo —to have fallen. The first music he wrote for Reach was played for the game's world premiere, and he used it as a starting piece to develop further themes.
O'Donnell began work on Reach while ODST, for which he also wrote the music, was still in production, but did not begin composing until August 2009. Past Halo collaborators Salvatori, C.
Paul Johnson, and Stan LePard assisted O'Donnell. Both Reach and ODST don’t have the Georgian chant. With Reach, he did not give them strictly divided responsibilities.
'I decided this time to come up with some themes, tempos, keys, and other basic starting points for musical ideas,' explained O'Donnell. 'I shared these with all the other composers and just asked them to take off if they felt inspired by any of that material.' The works-in-progress they came up with were either retouched by O'Donnell or sent back to be finished by their composer.In previous Halo games, sections of music overlap and change depending on player action. Reach 's system of interactive audio was much more complex, featuring the ability to combine up to seven layers of instrumentation compared to Combat Evolved 's two. Developers also expanded the sound effect system. Every interacting object in Reach produces two sounds for respective objects; for example, a Warthog vehicle that hits an armored Covenant soldier produces a crunching metal noise based on the two colliding elements.
The interaction between objects and terrain was demonstrated in an in-game environment that O'Donnell called 'the stripey room' after the bands of alternating colors on the objects and environment. Halo: Reach (Original Soundtrack) No.TitleWriter(s)Length1.' Overture', Michael Salvatori4:472.' Winter Contingency'O'Donnell, Salvatori12:093.' ONI: Sword Base'O'Donnell, Salvatori8:284.' Nightfall'O'Donnell, Salvatori5:415.'
Tip of the Spear'O'Donnell, Salvatori6:056.' Long Night of Solace'O'Donnell, Salvatori11:477.' Exodus'O'Donnell, Salvatori7:198.' New Alexandria'O'Donnell, Salvatori8:429.'
The Package'O'Donnell, Salvatori6:5610.' The Pillar of Autumn'O'Donnell, Salvatori9:4011.' Epilogue'O'Donnell, Salvatori4:3012.'
From the Vault'O'Donnell, Salvatori4:5913.' Ashes'O'Donnell, Salvatori2:4614.'
Fortress'O'Donnell, Salvatori1:0815.' We're Not Going Anywhere'O'Donnell, Salvatori1:1416.' At Any Cost'O'Donnell, Salvatori2:3017.' Both Ways (remix)'O'Donnell, Salvatori2:1718.' Walking Away'O'Donnell, Salvatori1:5319.' Ghosts and Glass'O'Donnell, Salvatori2:4220.'
We Remember'O'Donnell, Salvatori2:05Total length:107:24Multiplayer beta Reach 's multiplayer beta was open to owners of Halo 3: ODST. More than three million copies of ODST were sold by November 2009. Bungie estimated between two and three million players for the upcoming Reach beta, compared to the 800,000 that participated in Halo 3 's trial. Development schedules forced Bungie to release a six-week-old beta, fraught with bugs and issues already addressed in newer builds. Though concerned that these issues might tarnish the game's image, Jarrard noted that they had little choice but to ship it as it was and communicate with players concerning the fixes.More than 2.7 million players participated in the beta, which lasted from May 3 to 20. The game was rolled out from an internal group of Bungie and Microsoft employees, with the total number of players in the thousands. When the beta went public, more than a million played the first day, causing back-end servers to struggle to handle the traffic.
While the engineering team had overestimated server load, bugs in server clusters caused game uploads to become backed up, slowing matchmaking until the underlying issues could be fixed. Jarrard noted that the 16 million total hours of play time and large-scale rollout of the beta was vital to seeing how Reach would perform.Bungie used the beta to fix mistakes, glitches, and balance issues within gameplay elements. 'We needed our fans to provide feedback,' said Lehto, adding that having a large audience to 'hammer' on the game allowed them to gather useful feedback to mold the finished product. The game automatically collected statistics such as upload and matchmaking speeds, as well as game preferences; sorting out what Jarrard called 'the more subjective anecdotal feedback' from emails, notes, and forums proved more difficult. The Reach beta generated over 360,000 forum posts on Bungie's community forums. Bungie created official threads for groups of issues to manage the high volume of feedback; 'We tried to give people a little bit more of a direct avenue to give that feedback and to make our lives easier.
It was definitely a lot to assess and digest,' said Jarrard. Certain feedback from the players did not correlate with the statistical data obtained from the matches during the beta. Chris Carney, the lead designer for the multiplayer mode, recalled vocal dissatisfaction with the pistol early in the beta; by the end of the beta, the weapon was responsible for most of the kills coming from newly included weapons in the game. Bungie deployed special test matches to eliminate, balance gameplay, and make other informed changes. Release Reach was released in three editions on September 14, 2010. The standard edition consisted of the game and its manual.
The limited edition featured an artifact bag with story information, different packaging, and an exclusive set of in-game Elite armor. The 'legendary edition' contained all the materials from the limited edition, a different packaging, two hours of developer commentary on the game's cutscenes, an in-game Spartan armor effect, and a 10-pound (4.5 kg) statue created. North American players who purchased a first run copy of the game (in-store near launch day or pre-ordered) received an in-game Spartan 'recon' helmet customization; players in other regions could earn it only by pre-ordering. Reach also came bundled with a limited edition Xbox 360 Slim that sports Halo-themed sounds and finish and two controllers.Bungie released a on May 24, 2010, featuring a single player level from the game's story mode, a multiplayer competitive map, and a cooperative firefight mission. Microsoft later listed Reach as an download on August 12, 2010, at a price of 99999 (US$1250).
A spokesperson confirmed the download was for media review purposes, and that there were no plans to distribute the game to the public through Games on Demand. Four days later, hackers managed to access, download, and distribute the game online; Microsoft stated they were investigating the matter.
Halo 2, Halo 3, and ODST were similarly leaked ahead of their planned release.Halo: Reach was released for and as part of on December 3, 2019. Marketing According to Jarrard, the team decided to have much more 'grandiose' marketing for Reach than that of ODST. Microsoft gave Reach its largest game marketing budget at the time, surpassing the scale and $6.5 million cost of. Marketers focused their efforts on connecting with consumers via universal themes, rather than outdoing Halo 3 's push. ' AgencyTwoFifteen handled strategy and video development for the marketing push, while developed interactive components.
The agencies were involved with Halo 3 's marketing. The advertisers' brief was simple: 'Remember Reach. Focus on the heroes, not the victims.
Expand our audience beyond Halo.' The advertising campaign commenced in April 2010 with the live-action short 'Birth of a Spartan'. A series of online videos highlighting a day in the life of average Reach citizens before the Covenant invade, began on August 23, followed by TV spots on August 29. The series concluded in late August with another short, 'Deliver Hope'. As part of the promotions, Microsoft created an interactive; users logged onto a website where they could direct a to plot pinpricks of light; over 54,000 points created a monument to Noble Team that faded unless more points were plotted. Reach 's marketing won several industry distinctions, among them thirteen medals from the MI6 Game Marketing Conference Awards.Several lines of tie-in merchandise were launched. McFarlane, who had produced toys for Halo 3, created a line of five-inch action figures, while Square Enix's Play Arts toy label created additional figures.Reach was released Tuesday, September 14 in 25 countries.
Tens of thousands of stores signed up for midnight launch events; sponsored events took place in London, Oslo, Stockholm, and New York. Sales Reach made $200 million in first-day sales, a record for the franchise. Its strong sales suggested to analysts that core titles in the holiday season could reverse sluggish video game sales in 2010. In its first sixteen days the game sold $350 million worth of merchandise. Reach premiered at the top of Xbox 360 and multi-platform charts in most territories. Figures from the estimated that Reach sold 3.3 million units in North America, making it the third game for its console generation (Xbox 360, PS3, Wii) to sell more than three million units during the first month of its release (alongside Halo 3 and ).
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Halo: Reach became the third bestselling game of 2010 in North America, behind. It sold 4.7 million units by September 2011.In the United Kingdom, Reach 's opening week was the fifth-best launch in the territory, beating Halo 3 's debut by 20,000 units and ODST 's by 200,000 units.
In its second week on the UK charts Reach was the second bestselling title, displaced by the racing game. Reach continued to hold the top place in North America. In Japan, the game debuted at first place with 44,413 units, but fared poorly in the long-term (as have other Halo games). This showing was above ODST 's sales of 29,734 in the comparable timeframe, but below Halo 3 's 61,143. Reach dropped out of the top 20 best selling titles entirely its second week. Downloadable content Reach supports additional (DLC).
Bungie released the game's first DLC, dubbed the 'Noble Map Pack', on November 30, 2010; this map pack contains three maps, unique in that they are not based on Reach campaign levels. Microsoft partnered with, which had worked on Halo 2 maps, to produce the second, 'Defiant Map Pack', made available for download on March 15, 2011.A 'title update' was released by 343 Industries for Reach that modified game mechanics such as bullet spread and melee damage. The update also contained playlists for. Purchasers of anniversary edition received a voucher to download the game's seven multiplayer maps directly into Reach, the map pack was also made available to purchase via the Xbox Live Marketplace. Reception ReceptionAggregate scoreAggregatorScore91/100Review scoresPublicationScoreA+9.2/109/109/1034/409.5/10A9.5/108/109.3/109.5/10 (US)10/10 (UK)10.0/109.5/1010/10Halo: Reach received critical acclaim upon its release. On aggregating review website, it holds an average of 91/100, respectively.
Critics such as 's Thierry Nguyen, the staff of, 's Matt Cabral, and others considered Reach the best Halo title yet. Reviewers noted there were few major changes to the Halo formula; 's Erik Brudvig wrote that Reach was not 'another rehash', though franchise veterans would feel immediately at home with the game.Nguyen, Tom Hoggins of, and others wrote that Reach took the best elements from previous games and combined them in Bungie's final entry. Hoggins noted that this approach made Reach 'a blistering, breathless crescendo to a decade's worth of work', but also that it was unlikely to convert non- Halo fans. The 's Kevin Lynch praised Bungie for introducing new gameplay mechanics like jetpacks without ruining the title's learning curve or game balance.Brudvig praised the campaign for avoiding the 'repetitive landscapes and circuitous, difficult to follow plots' of past Halo titles. 's Chris Watters and others felt the artificial intelligence of friendly non-player characters was less advanced than that of enemies, especially while driving. Steve Boxer wrote for that Reach 's story made previous entries feel 'amateurish'; Nguyen felt that whereas previous Halo titles had become mired in inconsistencies and -like, Reach told a broader and more accessible story. Despite this, he contended, the game suffered from archetypal characters with which players spent little time: 'I almost forgot that Noble Four (Emile) even existed for a big chunk of the campaign, as I rarely saw him.'
's Gus Mastrapa unfavorably compared Noble Team to the marines of, writing that most of the characters were unmemorable and one-dimensional. Nguyen also faulted the game for occasional lapses in exposition, but summed these up as 'minor quibbles' compared to the improvements. In contrast, 's Charlie Baratt opined that Reach 's campaign was better than ODST 's, but lacked the 'franchise-changing potential' it promised. Lynch judged that while Bungie still had not learned to create a perfect story, ' Reach does expertly set up bombastic scene after scene'.Ben Kuchera of enjoyed the multiplayer component of Reach for its scope—'no matter how you play, you will find something to like.' Reviewers lauded the many customization options available to players: Watters and Kuchera praised the concept of psych profiles to hone more agreeable teammate selections, but questioned its effectiveness; considered Reach 's Forge World more expansive and impressive than Halo 3 's Forge offerings; and Lynch wrote that the sheer quantity of multiplayer options would give the game a long life cycle for players.Critics considered the audio-visual components a marked advance over Halo 3 and ODST 's. 's Troy Rawhiti-Forbes wrote that with the improved graphics and animation, ' Reach looks just like a big-budget Hollywood project.' Acknowledged better graphics in other games, but praised Reach for 'eye-catching beauty and breathless scope', noting that the inclusion of wildlife and civilians heightened the impression of a planet under siege.
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